Philip K. Dick

Philip Kindred Dick (December 16 1928--March 2 1982), often known by his initials PKD, or by the pen name Richard Phillips, was an American science fiction writer and novelist who changed the genre profoundly. Though hailed during his lifetime by peers such as Stanislaw Lem, Dick received little public recognition until after his death, when several popular film adaptations of his novels introduced him to a larger audience. His work is now some of the most popular in science fiction, and Dick has gained both general acclaim and critical respect.

Discarding the optimistic and simple world-view of Golden Age science fiction, Dick consistently explored the themes of the nature of reality and humanity in his novels, which were populated by common working people, rather than galactic elites. Foreshadowing the cyberpunk sub-genre, Dick brought the anomic world of Northern California to many of his works. His acclaimed novel, The Man in the High Castle (1963, winner of the Hugo Award), is a pioneering work bridging the genres of alternate history and science fiction. He also produced a tremendous number of short stories and minor works which were published in pulp magazines.

His works are characterized by a constantly eroding sense of reality, with protagonists often discovering that those close to them (or even they themselves) are secretly robots, aliens, supernatural beings, brainwashed spies, hallucinating, or some combination of the above.

Dick experimented with mind-altering drugs, though he often denied that they were influences on his work.

Table of contents
1 Youth
2 Dick and his visions
3 Marriages and children
4 Death
5 Dick's influence on others
6 Quotes
7 Bibliography
8 See also
9 External links

Youth

Philip K. Dick was born in Chicago, to Dorothy Kindred Dick. His father, Edgar Dick, was a fraud investigator for the USDA. He had a twin sister, Jane. The children were both born six weeks premature, and the girl died on January 26, 1929. Shortly thereafter, the family moved to California.

Dick's parents divorced when he was young; he grew up with his mother. He went to high school in Berkeley and briefly attended the University of California, Berkeley, where he majored in German. He sold records and was a disk jockey before selling his first story in 1952. He wrote full-time, more or less, from that time forward. He sold his first novel in 1955. The 1950's were a hard-scrabble time for Dick, so much so that, as he once said, "we couldn't even pay the late fees on a library book." He associated with the pre-1960's counterculture of California and was sympathetic to beat poets and the Communist Party. In 1963, he won the Hugo Award for The Man in the High Castle. Though Dick was hailed as a genius at this time in the SF world, the literary world as a whole was as yet unappreciative, and so he could only publish books at low-paying SF publishers. Consequently, while he would regularly publish novels for the next several years, he continued to struggle financially and psychologically. Dick was opposed to the Vietnam War and had a file at the FBI as a result.

Dick and his visions

In his youth, around the age of thirteen, Dick had a recurring dream for a number of weeks. He dreamt that he was in a bookstore, trying to find an issue of Astounding. This issue, when he found it, would contain a story called "The Empire Never Ended", which would reveal to him the secrets of the universe. As the dream repeated, the pile of magazines through which he was searching got smaller and smaller, but he never reached the bottom of it. Eventually, he became anxious that discovering the magazine would drive him mad (like the Lovecraftian Necronomicon, promising insanity to its readers). Shortly thereafter, the dreams stopped. They never returned, but the phrase "The Empire Never Ended" would appear in his later works.

On February 20, 1974 he was recovering from the effects of sodium penthanol administered after the extraction of an impacted wisdom tooth. Answering the door to receive a delivery of additional painkillers, he noticed the woman delivering the package was wearing a pendant with what he called the "vesicle pisces". (He probably was referring to the intersecting arcs of the vesica piscis.) After her departure, Dick began experiencing strange visions. Although this may have initially been attributed to the painkillers, after weeks of these visions, such a rationale becomes less probable. Throughout February and March of 1974 he received a series of visions which he collectively referred to as 2-3-74, shorthand for February/March of 1974. He described his initial visions as laser beams and geometric patterns, and occasionally brief pictures of Jesus Christ and ancient Rome, which he would glimpse periodically. As the pictures increased in length and frequency, Dick claimed that he began to live a double life, one as himself and one as Thomas, a Christian persecuted by Romans in the 1st century C.E. Despite his current and past drug use, Dick accepted these visions as reality, believing that he had been contacted by a god-entity of some kind, which he referred to as Zebra, God, and most often VALIS. VALIS is an acronym for Vast Active Living Intelligence System, he used this term as the title of one of his novels, he later theorized that it was a satellite of some kind which used beams to communicate with people on Earth. He claimed that the being used what he called "disinhibiting stimuli" to prep the subjects for the communication, in his case the vesicle pisces.

VALIS

Most observers of this phenomenon would conclude that Dick's visions were a brief psychotic episode, and they might be correct in that assumption. However, what has allowed the mystery of Dick's experiences to endure are reports of several even more intriguing incidences. At one point, during an encounter with the VALIS, Dick learned that his infant son was in danger of perishing from an unnamed malady. Routine checkups on the child had shown no trouble or illness; however, Dick insisted that thorough tests be run to ensure his son's health. The doctor eventually complied, despite the fact that there were no apparent symptoms. During the examination doctors discovered an inguinal hernia, which would have killed the child if an operation was not quickly performed. The child survived thanks to the operation, which Dick accredited to the VALIS.

Another event was an episode of glossolalia. Dick's wife transcribed the sounds she heard him speak, and Dick wrote that they later discovered that he was speaking an ancient dialect of the Greek language, which he had never studied.

Exegesis

Regardless of the apparent evidence that he was somehow experiencing a divine communication, Dick was unable ever to fully rationalize the events. For the rest of his life, he struggled to fully comprehend what was occurring, questioning his own sanity and perception of reality. He excised what thoughts he could into an 8,000 page, million word journal dubbed the Exegesis. He spent sleepless nights furiously writing into this journal, in some instances high on large quantities of amphetamines, which no doubt contributed to its eclectic tone. A recurring theme in the Exegesis is Dick's hypothesis that history had been stopped in the 1st century, and that the "[Roman] Empire never ended". He saw Rome as the pinnacle of materialism, and that after forcing the Gnostics underground 1900 years earlier had kept the population of the Earth as thralls to worldly possessions. Dick believed that VALIS had contacted him and unnamed others to induce the "impeachment" (read: assassination) of Richard M. Nixon, who Dick believed to be the current Emperor incarnate.

As time went on, he became increasingly paranoid, imagining plots against him perpetrated by the KGB or FBI, who he believed were constantly laying traps for him. At one point he alleged that they had broken into his house and pilfered various documents, though later he stated that he probably committed the burglary himself, and then forgotten he had done so.

His later works, especially the Valis trilogy, were heavily autobiographical, many with 2-3-74 references or influences. Dick was also a voracious reader of works on religion, philosophy, metaphysics, and Gnosticism, and these ideas found their way into many of his stories. His final novel was The Transmigration of Timothy Archer. Dick's works may be compared with those of William S. Burroughs. (Dick is arguably less scathing and more philosophical.)

Marriages and children

Dick married five times, and had two daughters and a son. The first four ended in divorce; the last in his death.

Death

Philip K. Dick died of a stroke in 1982 without having learned what had caused his strange visions. It has been theorized that Dick suffered from epileptic discharges in his temporal lobe. This can cause subtle, non-disabling seizures which can cause feelings ranging from a general disorientation to visions often construed by the victim as "psychic" experiences or epiphanies. This particular region of the brain allows for differentiation of reality and fantasy and is very sensitive to epileptic discharges. The symptoms which go along with these discharges read like a summary of the last decade of Dick's life. Part and parcel to these kind of seizures is a behavioral phenomenon called "hypergraphia", where the subject begins obsessively documenting their experiences usually in journal form.

After his death (he was disconnected from life support on March 2, but his EEG had been flat for five days prior to that), his father Edgar, who was still alive at that point, brought his son's body to Fort Morgan, Colorado. When his twin Jane had died, a tombstone had been carved with both of their names on it, and an empty space for Philip's date of death. After fifty-three years, that final date was carved in, and Philip K. Dick was buried beside his sister.

Dick's influence on others

Like other more famous science fiction authors, several of Dick's stories have been made into movies. Most of these are only loosely based on Dick's original story, using them as a starting-point for a Hollywood action-adventure story. While the most admired is Ridley Scott\'s classic movie Blade Runner, the action film Total Recall faithfully translates a number of Dick themes, albeit with uncharacteristic violence.

Philip K. Dick is often cited as a major influence on the Cyberpunk movement led by William Gibson, but as this work, and titles as diverse as the inventive Eye in the Sky and Martian Time Slip, the moving Galactic Pot-Healer, the complex and yet delicate The Man in the High Castle and the chilling yet deeply moving A Scanner Darkly show, there was much more to his genius than just influence.

One influence unusually distant from science fiction within "culture space" is the composition by Tod Machover, and performance, of an opera VALIS. This distance is suggested by at least one music reviewer explaining the character "Horselover Fat" as being introduced by the opera's librettist, in order to interact with the PKD character in the opera. The fact that "Horse-lover Fat" was in fact invented by PKD, included in the novel to interact with a Philip-Dick character, and more or less faithfully retained in the opera, betrays a striking communication gap.

Quotes

My major preoccupation is the question, 'What is reality?' Many of my stories and novels deal with psychotic states or drug-induced states by which I can present the concept of a multiverse rather than a universe. Music and sociology are themes in my novels, also radical political trends; in particular I've written about fascism and my fear of it.

For more quotes, see Philip K. Dick on Wikiquote.

Bibliography

Short stories

The short stories of Philip K. Dick have recently been republished in five omnibus volumes, as follows:

  1. The Short Happy Life of the Brown Oxford and Other Stories, ISBN 0806511532
  2. We Can Remember It for You Wholesale and Other Stories, ISBN 0806512091
  3. Second Variety and Other Stories, ISBN 0806512261
  4. The Minority Report and Other Stories, ISBN 0806512768
  5. The Eye of the Sibyl and Other Stories, ISBN 0806513284

;
1952
Beyond Lies the Wub
The Gun
The Little Movement
The Skull
The Variable Man

;1953
The Builder
Colony
The Commuter
The Cookie Lady
The Cosmic Poachers
The Defenders
Expendable
The Eyes Have It
The Great C
The Hanging Stranger
The Impossible Planet
Impostor
The Indefatigable Frog
The Infinities
The King of the Elves
Martians Come in Clouds
Mr. Spaceship
Out in the Garden
Paycheck
Piper in the Woods
Planet for Transients
The Preserving Machine
Project: Earth
Roog
Second Variety
Some Kinds of Life
The Trouble with Bubbles
The World She Wanted

;1954
A World of Talent
The Last of the Master
Adjustment Team
Beyond the Door
Breakfast at Twilight
The Crawlers
The Crystal Crypt
The Exhibit Piece
The Father-thing
The Golden Man
James P. Crow
Jon's World
The Little Black Box
Meddler
Of Withered Apples
A Present for Pat
Prize Ship
Progeny
Prominent Author
Sales Pitch
Shell Game
The Short Happy Life of the Brown Oxford
Small Town
Souvenir
Strange Eden
Survey Team
Time Pawn
Tony and the Beetles
The Turning Wheel
Upon the Dull Earth

;1955
Autofac
Captive Market
The Chromium Fence
Foster, You're Dead!
The Hood Maker
Human Is
The Mold of Yancy
Nanny
Psi-man Heal My Child!
Service Call
A Surface Raid
Vulcan's Hammer
War Veteran

;1956
A Glass of Darkness
Minority Report
Pay for the Printer
To Serve the Master

;1957
Misadjustment
The Unreconstructed M

;1958
Null-o

;1959
Explorers We
Fair Game
Recall Mechanism
War Game

;1963
All We Marsmen
The Days of Perky Pat
If There Were No Benny Cemoli
Stand-by
What'll We Do With Ragland Park?

;1964
Cantata 140
A Game of Unchance
Novelty Act
Oh, to be a Blobel!
Orpheus with Clay Feet
Precious Artifact
The Unteleported Man
The War with the Fnools
Waterspider
What the Dead Men Say

;1965
Project Plowshare
Retreat Syndrome

;1966
Holy Quarrel
We Can Remember It For You Wholesale
Your Appointment Will Be Yesterday

;1967
Faith of our Fathers
Return Match

;1968
Not By Its Cover
The Story To End All Stories

;1969
A. Lincoln, Simulacrum
The Electric Ant

;1972
Cadbury, the Beaver Who Lacked

;1974
The Different Stages of Love
The Pre-persons
A Little Something For Us Tempunauts

;1979
The Exit Door Leads In

;1980
I Hope I Shall Arrive Soon
Rautavaara's Case
Chains of Air, Web of Aethyr

;1981
The Alien Mind

;1984
Strange Memories Of Death

;1987
The Day Mr. Computer Fell Out of Its Tree
The Eye of The Sibyl
Fawn, Look Back
Stability

;1988
Goodbye, Vincent

;1989
11-17-80

;1992
The Name of the Game is Death

Novels: recommendations

Most of Dick's novels are very accessible and make quick reading; a few, however, most notably his final trilogy (VALIS, The Divine Invasion, and The Transmigration of Timothy Archer), were inspired by his VALIS experience and involve religious material some readers find dense and inscrutable.

Some good choices for a reader new to Dick are The Man in the High Castle, which takes place in an alternate America ruled by the victorious Axis powers, and which features an early exploration by Dick into the questions of false worlds he would later ask in VALIS; Do Androids Dream of Electric Sheep, the inspiration for the film Blade Runner, which deals with Dick's themes about replicas of real things; another excellent depiction of a man discovering his world to be fake is Time out of Joint (in many ways very similar to the movie Truman Show); Now Wait for Last Year, a somewhat traditional sci-fi novel involving time travel, Dick's theme of reality-altering drugs, more questions of replicas, and a fine example of Dick's recurring dark-haired female character; and Dr. Bloodmoney, or How We Got Along After the Bomb, which features northern California culture in the early 60's and questions of politics and society.

For the more patient reader, Dick's masterpiece VALIS is a unique piece of literature. It started out as a traditional sci-fi novel (early draft work can be seen in the collection ), turned into a missive as Dick attempted to demonstrate the truth of his paranoia, and ended up including a moving admission of insanity layered on top of the book.

Novels by year

;1955:Solar Lottery ;1956:The World Jones Made

The Man Who Japed
;1957:Eye in the Sky
The Cosmic Puppets
;1959:Time Out of Joint ;1960:Dr. Futurity
Vulcan's Hammer
;1962:The Man in the High Castle ;1963:The Game-Players of Titan ;1964:Martian Time-Slip
The Simulacra
Clans of the Alphane Moon
The Penultimate Truth
;1965:The Three Stigmata of Palmer Eldritch
Dr. Bloodmoney, or How We Got Along After the Bomb
;1966:The Crack in Space
Now Wait for Last Year
The Unteleported Man
;1967:Counter-Clock World
The Zap Gun
The Ganymede Takeover with Ray Nelson
;1968:Do Androids Dream of Electric Sheep ;1969:Ubik
Galactic Pot-Healer
;1970:Maze of Death
Our Friends from Frolix 8
;1972:We Can Build You ;1974:Flow My Tears, The Policeman Said ;1975:Confessions of a Crap Artist ;1976:Deus Irae with Roger Zelazny ;1977:A Scanner Darkly ;1981:Valis
The Divine Invasion
;1982:The Transmigration of Timothy Archer
The Man Whose Teeth Were All Exactly Alike

;1985:Radio Free Albemuth
Puttering About in a Small Land
In Milton Lumky Territory
;1986:Humpty Dumpty in Oakland ;1987:Mary and the Giant ;1988:The Broken Bubble
Nick and the Glimmung (for children)
;1994:Gather Yourselves Together

Movie adaptations of Philip K. Dick's works

Awards

See also

science fiction: authors - novels - short stories - television shows

External links






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