Palme d'Or
The Palme d'Or ("Golden Palm") is the name of the highest prize given to a film at the Cannes Film Festival.| Year | Film | Director | Country |
|---|---|---|---|
| 1939 | Union Pacific | Cecil B. DeMille | United States |
| 1946 | Torment (Hets) | Alf Sjöberg | Sweden |
| 1946 | The Lost Weekend | Billy Wilder | United States |
| 1946 | Red Meadows (De røde enge) | Bodil Ipsen & Lau Lauritzen | Denmark |
| 1946 | Lowly City (Neecha Nagar) | Chetan Anand | India |
| 1946 | Brief Encounter | David Lean | United Kingdom |
| 1946 | Portrait of Maria (María Candelaria) | Emilio Fernández | Mexico |
| 1946 | The Turning Point (Великий перелом, Veliky perelom) | Fridrikh Markovitch Ermler | Soviet Union |
| 1946 | La symphonie pastorale | Jean Delannoy | France |
| 1946 | The Last Chance (Die Letzte Chance) | Leopold Lintberg | Switzerland |
| 1946 | Men Without Wings (Muži bez křídel) | František Čáp; | Czechoslovakia |
| 1946 | Open City (Roma, città aperta) | Roberto Rossellini | Italy |
| 1947 | not awarded | ||
| 1948 | not held | ||
| 1949 | The Third Man | Carol Reed | United Kingdom |
| 1950 | not held | ||
| 1951 | Miss Julie (Fröken Julie) | Alf Sjöberg | Sweden |
| 1951 | Miracle in Milan (Miracolo a Milano) | Vittorio De Sica | Italy |
| 1952 | Orson Welles | United States | |
| 1952 | Two Cents Worth of Hope (Due soldi di speranza) | Renato Castellani | Italy |
| 1953 | The Wages of Fear (Le Salaire de la peur) | Henri-Georges Clouzot | France |
| 1954 | Gate of Hell (Jigokumon) | Teinosuke Kinugasa | Japan |
| 1955 | Marty | Delbert Mann | United States |
| 1956 | The Silent World (Le monde du silence) | Jacques-Yves Cousteau & Louis Malle | France |
| 1957 | Friendly Persuasion | William Wyler | United States |
| 1958 | The Cranes Are Flying (Летят журавли, Letyat zhuravli) | Mikheil Kalatozishvili | Soviet Union |
| 1959 | Black Orpheus (Orfeu Negro) | Marcel Camus | France |
| 1960 | La dolce vita | Federico Fellini | Italy |
| 1961 | The Long Absence (Une aussi longue absence) | Henri Colpi | France |
| 1961 | Viridiana | Luis Buñuel | Spain |
| 1962 | Keeper of Promises (O Pagador de Promessas) | Anselmo Duarte | Brazil |
| 1963 | The Leopard (Il Gattopardo) | Luchino Visconti | Italy |
| 1964 | The Umbrellas of Cherbourg (Les Parapluies de Cherbourg) | Jacques Demy | France |
| 1965 | The Knack | Richard Lester | United Kingdom |
| 1966 | A Man and a Woman (Un homme et une femme) | Claude Lelouch | France |
| 1966 | The Birds, the Bees and the Italians (Signore & signori) | Pietro Germi | Italy |
| 1967 | Blowup | Michelangelo Antonioni | Italy |
| 1968 | canceled | ||
| 1969 | If | Lindsay Anderson | United Kingdom |
| 1970 | MASH | Robert Altman | United States |
| 1971 | The Go-Between | Joseph Losey | United Kingdom |
| 1972 | The Working Class Goes to Heaven (La classe operaia va in paradiso) | Elio Petri | Italy |
| 1972 | The Mattei Affair (Il Caso Mattei) | Francesco Rosi | Italy |
| 1973 | The Hireling | Alan Bridges | United Kingdom |
| 1973 | Scarecrow | Jerry Schatzberg | United States |
| 1974 | The Conversation | Francis Ford Coppola | United States |
| 1975 | Chronicle of the Years of Fire (Chronique des années de braise) | Mohammed Lakhdar-Hamina | Algeria |
| 1976 | Taxi Driver | Martin Scorsese | United States |
| 1977 | Father and Master (Padre padrone) | Paolo Taviani & Vittorio Taviani | Italy |
| 1978 | The Tree with the Wooden Clogs (L'Albero degli zoccoli) | Ermanno Olmi | Italy |
| 1979 | Apocalypse Now | Francis Ford Coppola | United States |
| 1979 | The Tin Drum (Die Blechtrommel) | Volker Schlöndorff | West Germany |
| 1980 | All That Jazz | Bob Fosse | United States |
| 1980 | Shadow Warrior (Kagemusha) | Akira Kurosawa | Japan |
| 1981 | Man of Iron (Czlowiek z zelaza) | Andrzej Wajda | Poland |
| 1982 | Missing | Costa-Gavras | United States |
| 1982 | The Way (Yol) | Yilmaz Güney | Turkey |
| 1983 | Ballad of Narayama (Narayama bushiko) | Shohei Imamura | Japan |
| 1984 | Paris, Texas | Wim Wenders | West Germany |
| 1985 | When Father Was Away on Business (Otac na službenom putu) | Emir Kusturica | Yugoslavia |
| 1986 | The Mission | Roland Joffé | United Kingdom |
| 1987 | Under the Sun of Satan (Sous le soleil de Satan) | Maurice Pialat | France |
| 1988 | Pelle the Conqueror (Pelle erobreren) | Bille August | Denmark |
| 1989 | Sex, Lies, and Videotape | Steven Soderbergh | United States |
| 1990 | Wild at Heart | David Lynch | United States |
| 1991 | Barton Fink | Joel Coen & Ethan Coen | United States |
| 1992 | The Best Intentions (Den goda viljan) | Bille August | Denmark |
| 1993 | Farewell My Concubine (霸王别姬, Ba wang bie ji) | Kaige Chen | China |
| 1993 | The Piano | Jane Campion | New Zealand |
| 1994 | Pulp Fiction | Quentin Tarantino | United States |
| 1995 | Underground | Emir Kusturica | Federal Republic of Yugoslavia |
| 1996 | Secrets & Lies; | Mike Leigh | United Kingdom |
| 1997 | A Taste of Cherry (Ta'm e guilass) | Abbas Kiarostami | Iran |
| 1997 | The Eel (Unagi) | Imamura Shohei | Japan |
| 1998 | Eternity and a Day (Mia aioniotita kai mia mera) | Theo Angelopoulos | Greece |
| 1999 | Rosetta | Luc Dardenne & Jean-Pierre Dardenne | Belgium |
| 2000 | Dancer in the Dark | Lars von Trier | Denmark |
| 2001 | The Son's Room (La stanza del figlio) | Nanni Moretti | Italy |
| 2002 | The Pianist | Roman Polanski | France |
| 2003 | Elephant | Gus Van Sant | United States |
| 2004 | Fahrenheit 9/11 | Michael Moore | United States |